Bibliographie sélective
- Badley Linda, Claire Perkins, and Michele Schreiber, eds. 2016. Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema. Edinburgh: Edinburgh University Press.
- Biscarrat Laëtitia et Gwénaëlle Le Gras, « Productions, représentations et appropriations genrées des fictions sérielles », Genre en séries, 2 | 2015. https://doi.org/10.4000/ges.1593
- Cobb, Shelley. 2015. Adaptation, Authorship, and Contemporary Women Filmmakers. London: Palgrave.
- Creed Barbara. 2022. Return of the Monstrous-Feminine: Feminist New Wave Cinema. NY: Routledge.
- de Lauretis, Teresa. 1984. Alice Doesn’t: Feminism, Semiotics, Cinema. Bloomington: Indiana University Press.
- de Lauretis, Teresa. 1987. Technologies of Gender. Bloomington: Indiana University Press.
- Gaines, Jane M. 2012. “The genius of genre and the ingenuity of women.” In Gender Meets Genre in Postwar Cinemas, edited by Christine Gledhill, 15–28. Urbana: University of Illinois Press.
- Garrett, Roberta. 2007. Postmodern Chick-Flicks: The Return of the Woman’s Film. London: Palgrave Macmillan.
- Gledhill, Christine, ed. 2012. Gender Meets Genre in Postwar Cinemas. Urbana: University of Illinois Press.
- Greven, David. 2011. Representations of Femininity in American Genre Cinema: The Woman’s Film, Film Noir, and Modern Horror. Palgrave Macmillan.
- Handyside Fiona. 2017. Sofia Coppola: A Cinema of Girlhood. London: I.B. Tauris.
- Harrod, Mary. 2021. Heightened Genre and Women's Filmmaking in Hollywood: The Rise of the Cine-fille. Palgrave Macmillan.
- Harrod Mary and Katarzyna Paszkiewicz, eds. 2017. Women Do Genre in Film and Television. NY: Routledge.
- Johnston, Claire. 2000 (1973). “Women’s cinema as counter-cinema.” In Feminism and Film, edited by E. Ann Kaplan, 22–33. Oxford: Oxford University Press.
- Kac-Vergne Marianne and Julie Assouly, eds. 2022. From the Margins to the Mainstream: Women in Film and Television. London: Bloomsbury.
- Maury Cristelle and David Roche eds. 2020. Women Who Kill: Gender and Sexuality in Film and Series of the Post-Feminist Era. London: Bloomsbury.
- Mayer, Sophie. 2016. Political Animals: The New Feminist Cinema. London: I. B. Tauris.
- Moine, Raphaëlle. 2002. Les Genres du cinéma. Paris: Nathan.
- Moine, Raphaëlle et Geneviève Sellier. 2012. Cinémas. Révue d’études cinématographiques 22 (2-3).
- Mulvey, Laura. 1975. “Visual pleasure and narrative cinema.” Screen 16: 6–18.
- Negra, Diane. 2009. What a Girl Wants: Fantasising the Reclamation of Self in Postfeminism. London: Routledge.
- Paszkiewicz, Katarzyna. 2018. Genre, Authorship and Contemporary Women Filmmakers. Edinburgh: Edinburgh U.P.
- Peirse, Alison. 2020. Women Make Horror: Filmmaking, Feminism, Genre. Rutgers University Press.
- Pisters, Patricia. 2020. New Blood in Contemporary Cinema: Women Directors and the Poetics of Horror. Edinburgh: Edinburgh U.P.
- Radner Hilary and Rebecca Stringer, eds. 2011. Feminism at the Movies: Understanding Gender in Contemporary Cinema. London and New York: Routledge.
- Rowe, Kathleen. 2011. Unruly Girls, Unrepentant Mothers: Redefining Feminism on Screen. Austin: University of Texas Press.
- Schaeffer, Jean-Marie. 1989. Qu’est-ce qu’un genre littéraire? Paris : Seuil.
- Smith, Frances, ed. 2023. “The Films of Céline Sciamma: A Cinema of Youth and Desire.” French Screen Studies 23 (2-3).
- White, Patricia. 2015. Women’s Cinema, World Cinema. Durham and London: Duke University Press.
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